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Multiple Representation Dice
Young learners will be on a roll with numbers and number sense with these Multiple Representation Dice. This set of 16 dice feature 4 different ways to represent a number, to support childrens learning of number sense. Includes 10 frames, base 10,
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Deflating Mental Representation
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The Concept of Representation
Being concerned with representation, this book is about an idea, a concept, a word.It is primarily a conceptual analysis, not a historical study of the way in which representative government has evolved, nor yet an empirical investigation of the behavior of contemporary representatives or the expectations voters have about them.Yet, although the book is about a word, it is not about mere words, not merely about words.For the social philosopher, for the social scientist, words are not "mere"; they are the tools of his trade and a vital part of his subject matter.Since human beings are not merely political animals but also language-using animals, their behavior is shaped by their ideas.What they do and how they do it depends upon how they see themselves and their world, and this in turn depends upon the concepts through which they see.Learning what "representation" means and learning how to represent are intimately connected.But even beyond this, the social theorist sees the world through a network of concepts.Our words define and delimit our world in important ways, and this is particularly true of the world of human and social things. For a zoologist may capture a rare specimen and simply observe it; but who can capture an instance of representation (or of power, or of interest)?Such things, too, can be observed, but the observation always presupposes at least a rudimentary conception of what representation (or power, or interest) is, what counts as representation, where it leaves off and some other phenomenon begins.Questions about what representation is, or is like, are not fully separable from the question of what "representation" means.This book approaches the former questions by way of the latter.
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Shakespeare and Queer Representation
In this engaging and accessible guidebook, Stephen Guy-Bray uses queer theory to argue that in many of Shakespeare’s works representation itself becomes queer. Shakespeare often uses representation, not just as a lens through which to tell a story, but as a textual tool in itself.Shakespeare and Queer Representation includes a thorough introduction that discusses how we can define queer representation, with each chapter developing these theories to examine works that span the entire career of Shakespeare, including his sonnets, Venus and Adonis, The Rape of Lucrece, King John, Macbeth, and Cymbeline.The book highlights the extent to which Shakespeare’s works can be seen to anticipate, and even to extend, many of the insights of the latest developments in queer theory. This thought-provoking and evocative book is an essential guide for students studying Shakespeare and Renaissance literature, gender studies, and queer literary theory.
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What does a scenic representation mean?
A scenic representation refers to the visual depiction or portrayal of a particular scene or setting. It involves creating a visual representation of a specific location, event, or situation, often in a detailed and realistic manner. This can be done through various artistic mediums such as painting, photography, or theater, with the goal of capturing the essence and beauty of the scene being depicted. Scenic representations are used to evoke emotions, tell stories, or simply showcase the beauty of a particular place or moment.
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What is the difference between scenic representation and character speech?
Scenic representation refers to the visual and physical elements of a performance, such as the set design, lighting, and costumes, that help create the overall atmosphere and setting of a scene. On the other hand, character speech refers to the dialogue and words spoken by the characters in a play or performance, which reveal their thoughts, emotions, and motivations. While scenic representation sets the stage and provides context for the action, character speech drives the plot forward and develops the personalities of the characters. Both elements work together to create a rich and immersive theatrical experience for the audience.
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What is the polar representation of a Cartesian representation?
The polar representation of a Cartesian representation is a way of expressing a point in the Cartesian plane using polar coordinates. In the polar representation, a point is described by its distance from the origin (r) and the angle it makes with the positive x-axis (θ). This is in contrast to the Cartesian representation, which describes a point using its x and y coordinates. The polar representation provides a different way of understanding and visualizing points in the plane, and it can be useful in certain mathematical and scientific contexts.
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Which representation method?
The representation method that should be used depends on the specific data being analyzed and the goals of the analysis. For categorical data, bar graphs or pie charts are commonly used to show the distribution of different categories. For numerical data, histograms or box plots can be used to visualize the distribution and central tendency of the data. Scatter plots are useful for showing the relationship between two numerical variables. Ultimately, the best representation method is one that effectively communicates the key insights from the data in a clear and concise manner.
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Picturebooks: Representation and Narration
This volume discusses the aesthetic and cognitive challenges of modern picturebooks from different countries, such as Denmark, France, Germany, Norway, Spain, Sweden, United Kingdom, and USA.The overarching issue concerns the mutual relationship between representation and narration by means of the picturebooks’ multimodal character.Moreover, this volume includes the main lines of debate and approaches to picturebooks by international leading researchers in the field.Topics covered are the impact of paratexts and interpictorial allusions, the relationship between artists’ books, crossover picturebooks, and picturebooks for adults, the narrative defiance of wordless picturebooks, the representation of emotions in images and text, and the depiction of hybrid characters in picturebooks.The enlargement of the picturebook corpus beyond an Anglo-American picturebook canon opens up new horizons and highlights the diverging styles and genre shifts in modern picturebooks.This tendency also demonstrates the influence of specific authors and illustrators on the appreciation of the picturebook genre, as in the case of Astrid Lindgren’s picturebooks and the picturebooks created by renowned illustrators, such as Anthony Browne, Wolf Erlbruch, Stian Hole, and Bruno Munari.This book will be the definite contribution to contemporary picturebook research for many years to come.
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Superwomen : Gender, Power, and Representation
Winner of the 2017 Eisner Award in the Best Academic/Scholarly Work category2017 Prose Awards Honorable Mention, Media & Cultural StudiesOver the last 75 years, superheroes have been portrayed most often as male, heterosexual, white, and able-bodied.Today, a time when many of these characters are billion-dollar global commodities, there are more female superheroes, more queer superheroes, more superheroes of color, and more disabled superheroes--but not many more.Superwomen investigates how and why female superhero characters have become more numerous but are still not-at-all close to parity with their male counterparts; how and why they have become a flashpoint for struggles over gender, sexuality, race, and disability; what has changed over time and why in terms of how these characters have been written, drawn, marketed, purchased, read, and reacted to; and how and why representations of superheroes matter, particularly to historically underrepresented and stereotyped groups.Specifically, the book explores the production, representations, and receptions of prominent transmedia female superheroes from their creation to the present: Wonder Woman; Batgirl and Oracle; Ms. Marvel and Captain Marvel; Buffy the Vampire Slayer; Star Wars’ Padmé Amidala, Leia Organa, Jaina Solo, and Rey; and X-Men’s Jean Grey, Storm, Kitty Pryde, Rogue, and Mystique.It analyzes their changing portrayals in comics, novels, television shows, and films, as well as how cultural narratives of gender have been negotiated through female superheroes by creators, consumers, and parent companies over the last several decades.
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Photography : Race, Rights and Representation
In Photography: Race, Rights & Representation Mark Sealy discusses the critical work photographic images do in culture.Through photography, the book engages with notions of history, alienation, migration, civil and human rights, community and representational politics.
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Representation Theory and Automorphic Forms
This volume uses a unified approach to representation theory and automorphic forms.It collects papers, written by leading mathematicians, that track recent progress in the expanding fields of representation theory and automorphic forms and their association with number theory and differential geometry.Topics include: Automorphic forms and distributions, modular forms, visible-actions, Dirac cohomology, holomorphic forms, harmonic analysis, self-dual representations, and Langlands Functoriality Conjecture, Both graduate students and researchers will find inspiration in this volume.
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What is the linear factor representation and the polynomial representation?
The linear factor representation of a polynomial is a way of expressing the polynomial as a product of linear factors. For example, the linear factor representation of the polynomial x^2 - 4 is (x-2)(x+2). This representation helps in finding the roots of the polynomial. The polynomial representation is the standard way of expressing a polynomial as a sum of terms, each containing a variable raised to a power. For example, the polynomial representation of x^2 - 4 is x^2 - 4. This representation helps in performing operations like addition, subtraction, multiplication, and division of polynomials.
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Is the standard representation the same as the exponential representation?
No, the standard representation and the exponential representation are not the same. The standard representation of a number is typically in the form of a decimal or fraction, while the exponential representation is in the form of a number raised to a power. For example, the standard representation of 100 is simply "100," while the exponential representation is "10^2." These two representations convey the same value but are written in different forms.
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What is the difference between Scenery and Landscape?
Scenery refers to the overall view or appearance of a place, including natural and man-made elements such as buildings, trees, and water bodies. On the other hand, landscape specifically refers to the natural features of an area, such as mountains, valleys, forests, and rivers. While scenery can encompass both natural and man-made elements, landscape focuses solely on the natural environment.
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What is interest representation?
Interest representation refers to the process of advocating for the interests and concerns of a particular group or organization to policymakers, government officials, or other decision-makers. This can involve lobbying, public relations, and other forms of communication to influence policy decisions in favor of the represented group. Interest representation is a key component of democratic societies, as it allows for diverse voices and perspectives to be heard in the policymaking process. It is often carried out by professional lobbyists, advocacy groups, trade associations, and other organizations that work on behalf of their members or constituents.
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