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Intervals
What makes a good death? A good daughter? In 2009, with her forties and a harsh wave of austerity on the horizon, Marianne Brooker’s mother was diagnosed with primary progressive multiple sclerosis.She made a workshop of herself and her surroundings, combining creativity and activism in inventive ways.But over time, her ability to work, to move and to live without pain diminished drastically.Determined to die in her own home, on her own terms, she stopped eating and drinking in 2019.In Intervals, Brooker reckons with heartbreak, weaving her first and final memories with a study of doulas, living wills and the precarious economics of social, hospice and funeral care.Blending memoir, polemic and feminist philosophy, Brooker joins writers such as Anne Boyer, Maggie Nelson, Donald Winnicott and Lola Olufemi to raise essential questions about choice and interdependence and, ultimately, to imagine care otherwise.
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Confidence Intervals
Smithson first introduces the basis of the confidence interval framework and then provides the criteria for "best" confidence intervals, along with the trade-offs between confidence and precision.Next, using a reader-friendly style with lots of worked out examples from various disciplines, he covers such pertinent topics as: the transformation principle whereby a confidence interval for a parameter may be used to construct an interval for any monotonic transformation of that parameter; confidence intervals on distributions whose shape changes with the value of the parameter being estimated; and, the relationship between confidence interval and significance testing frameworks, particularly regarding power.
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Death at Intervals
In an unnamed country, on the first day of the New Year, people stop dying.There is great celebration and people dance in the streets.They have achieved the great goal of humanity: eternal life.Soon, though, the residents begin to suffer. Undertakers face bankruptcy, the church is forced to reinvent its doctrine, and local 'maphia' smuggle those on the brink of death over the border where they can expire naturally. Death does return eventually, but with a new, courteous approach – delivering violet warning letters to her victims.But what can death do when a letter is unexpectedly returned?
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Flash Scross the Intervals (Limited Edition)
First Powell music available physically since his 2018 collaboration with Turner-Prize winning artist Wolfgang Tillmans. Oscar (Powell) wanted it known that this is not intended as a definitive album, the realisation/release of some bold new statement, a singular mark of identity or triumphant elucidation of years of valiant work. Rather, it is simply 35 minutes of music segmented from an overall flow of stuff, a variable torrent of hyper-synthetic composition brought about by entirely other things - circumstances that relate in no way to a previous life led within an occasionally toxic bubble of taste, music, entertainment and 'community'.
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At what intervals should the Casting Sun Kiss Gelée be applied?
The Casting Sun Kiss Gelée should be applied every 2-3 days for a gradual and natural-looking tan. For best results, it is recommended to exfoliate before each application to ensure an even and streak-free tan. Additionally, moisturizing daily can help prolong the tan and keep the skin hydrated.
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Why are long pipes outdoors regularly bent into U-shapes at regular intervals?
Long pipes outdoors are regularly bent into U-shapes at regular intervals to accommodate for thermal expansion and contraction. When the temperature changes, the pipe material expands and contracts, and the U-shaped bends allow the pipe to flex without breaking. This design helps to prevent damage to the pipe and ensures that it can effectively transport fluids or gases without being compromised by temperature fluctuations. Additionally, the U-shaped bends also provide structural support and stability to the pipe, preventing it from sagging or collapsing under its own weight.
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What are confidence intervals?
Confidence intervals are a range of values that are used to estimate the true value of a population parameter, such as the mean or proportion. They provide a measure of the uncertainty or variability in the estimate, and are typically expressed as a range of values with a specified level of confidence, such as 95% or 99%. Confidence intervals are calculated using sample data and statistical methods, and are used to make inferences about the population parameter being estimated. They are a useful tool for understanding the precision and reliability of an estimate, and for comparing different groups or treatments in a study.
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What is the difference between Scenery and Landscape?
Scenery refers to the overall view or appearance of a place, including natural and man-made elements such as buildings, trees, and water bodies. On the other hand, landscape specifically refers to the natural features of an area, such as mountains, valleys, forests, and rivers. While scenery can encompass both natural and man-made elements, landscape focuses solely on the natural environment.
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Endless Intervals : Cinema, Psychology, and Semiotechnics around 1900
Revealing cinema’s place in the coevolution of media technology and the humanCinema did not die with the digital, it gave rise to it.According to Jeffrey West Kirkwood, the notion that digital technologies replaced analog obscures how the earliest cinema laid the technological and philosophical groundwork for the digital world.In Endless Intervals, he introduces a theory of semiotechnics that explains how discrete intervals of machines came to represent something like a mind—and why they were feared for their challenge to the uniqueness of human intelligence. Examining histories of early cinematic machines, Kirkwood locates the foundations for a scientific vision of the psyche as well as the information age.He theorizes an epochal shift in the understanding of mechanical stops, breaks, and pauses that demonstrates how cinema engineered an entirely new model of the psyche—a model that was at once mechanical and semiotic, discrete and continuous, physiological and psychological, analog and digital. Recovering largely forgotten and untranslated texts, Endless Intervals makes the case that cinema, rather than being a technology assaulting the psyche, is in fact the technology that produced the modern psyche.Kirkwood considers the ways machines can create meaning, offering a fascinating theory of how the discontinuous intervals of soulless mechanisms ultimately produced a rich continuous experience of inner life.
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Endless Intervals : Cinema, Psychology, and Semiotechnics around 1900
Revealing cinema’s place in the coevolution of media technology and the humanCinema did not die with the digital, it gave rise to it.According to Jeffrey West Kirkwood, the notion that digital technologies replaced analog obscures how the earliest cinema laid the technological and philosophical groundwork for the digital world.In Endless Intervals, he introduces a theory of semiotechnics that explains how discrete intervals of machines came to represent something like a mind—and why they were feared for their challenge to the uniqueness of human intelligence. Examining histories of early cinematic machines, Kirkwood locates the foundations for a scientific vision of the psyche as well as the information age.He theorizes an epochal shift in the understanding of mechanical stops, breaks, and pauses that demonstrates how cinema engineered an entirely new model of the psyche—a model that was at once mechanical and semiotic, discrete and continuous, physiological and psychological, analog and digital. Recovering largely forgotten and untranslated texts, Endless Intervals makes the case that cinema, rather than being a technology assaulting the psyche, is in fact the technology that produced the modern psyche.Kirkwood considers the ways machines can create meaning, offering a fascinating theory of how the discontinuous intervals of soulless mechanisms ultimately produced a rich continuous experience of inner life.
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Intervals, Scales, Tones : And the Concert Pitch c = 128 Hz
Why is it that certain intervals, scales and tones sound genuine and others false?Is the modern person able to experience a qualitative difference in a tone's pitch?If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned?Maria Renold tackles these and many other questions, providing a wealth of scientific data.Her pioneering work is the result of a lifetime's research into Western music's Classical Greek origins, as well as a search for new developments in modern times.She strives to deepen musical understanding through Rudolf Steiner's spiritual-scientific research, and she also elucidates many of Steiner's often puzzling statements about music.The results of her work include the following discoveries: that the octave has two sizes (a 'genuine' sounding octave is bigger than the 'perfect' octave); that there are three sizes of 'perfect' fifths; that an underlying 'form principle' for all scales can be found; and, most importantly, the discovery of a method of tuning the piano which is more satisfactory than equal temperament. She also gives foundation to some of Rudolf Steiner's statements such as: 'c is always prime' and 'c = 128 Hz = Sun'.
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Sunrise Nyali Mombasa 1bdrm Scenic Sea View
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How do you hear intervals?
Intervals are heard by recognizing the distance between two notes in terms of pitch. This can be done by comparing the two notes and identifying whether the second note is higher, lower, or the same pitch as the first note. The quality of the interval (such as major, minor, perfect, etc.) can also be determined by listening to the specific sound created by the two notes played together. Training your ear through practice and exposure to different intervals can help in accurately identifying and hearing intervals.
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Wanted: Explanation of music intervals.
Music intervals are the distance between two pitches. They are named based on the number of letter names they encompass, such as a second, third, fourth, etc. Intervals can be classified as either harmonic (played simultaneously) or melodic (played consecutively). Understanding intervals is crucial in music theory as they help musicians identify and create melodies, harmonies, and chords.
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What are real number intervals?
Real number intervals are continuous sets of real numbers that lie between two specified values. They can be open intervals, which do not include the endpoint values, or closed intervals, which include the endpoint values. Real number intervals are commonly represented using interval notation, such as (a, b) for an open interval or [a, b] for a closed interval. These intervals are used in mathematics to describe ranges of values or solutions to equations.
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How can one remember intervals?
One way to remember intervals is to associate them with familiar songs or melodies. For example, a perfect fourth interval is the first two notes of "Here Comes the Bride." Another method is to visualize the distance between the notes on a piano or other instrument. Practice playing and listening to intervals regularly to reinforce your memory of them. Additionally, using mnemonic devices or creating flashcards with interval names and examples can help solidify your understanding and retention of intervals.
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